Диснеевские принцессы
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Диснеевские принцессы (For Fanpop's Избранное Дисней Princess Movies.) Please Комментарий if Ты have a STRONG positive или negative opinion on Frozen!
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What is Kristoff's backstory? Where are his parents, how come he have a reindeer and why is he following the ice harvesters? If they hadn't bothered to include him in the beginning, we wouldn't have all this trouble. Why can't Elsa see Arendelle is frozen over if her ice palace overviews the entire kingdom? How did Anna, in her state of near death, reach Elsa before Hans swung the sword or before Kristoff reached her in that blizzard? And that's just listing the most obvious ones.
Also, I have trouble believing that Elsa is completely "cured" from her anxiety, depression and self-hatred; I want to slap Disney for mocking themselves, the romance is forced and the plot twist is goddamn awful.
This film had a chance to be beautiful and profound, but instead just rehashed the standard Disney Princess and Tangled formula. In fact, it just takes what the masses loved best about Tangled - the quirky, sheltered, bubbly princess; the cynical, sardonic, jaded, wordly guy; the horse/reindeer with a dog's personality; the island city-kingdom; the wacky slap-stick roadtrip plot; the awkward modern talk and casual song lyrics; the one-word gender-neutral title; and the CGI animation - just amplified it by 1000x, then re-titled it Frozen.
I think "The Snow Queen" is a very beautiful, unique, heart-felt story about how love melts a frozen heart, and how we shouldn't get so caught up with logic and reason that we forget love and kindness, or freeze our hearts to avoid feeling the sorrows of life to such an extent that we miss out on the joys of life too. I love how the story celebrates platonic love, bravery in face of the elements, etc. Frozen is just the standard, over-used, tried and true formula we've all seen a million times, and in fact just saw three years ago.
P.S. Oh, and I think the songs are mediocre.
I also don't like how the film talks both sides of its mouth regarding it's "message" about love at firs sight. The first 2/3rds of the film hammers into the audience's heads how stupid it is to think you share True Love with someone you just met because there's no way you can really know them in that time (like how Anna thinks she loves Hans, only for him to reveal he was just playing her the whole time). Then the film turns around and has Anna and Kristoff realize they really DO share True Love! ... Even though they just met each other too. Apparently it's not True Love if you've only known each other for a day, but it IS True Love if you've known each other for a day and a half. (That extra half a day makes all the difference.)
Disney started this trend early with Enchanted, but hasn't dropped it since. The first half of Enchanted parodies and deconstructs Classic and Renaissance Disney's "love at first sight" concept by spoofing Giselle and Edward deciding to get married after they learn each other's name, but then breaks its own message by having Giselle and Robert fall in love after just a few days, and Idina Menzel's character and Prince Edward to run off, get married, and live happily ever after after also just meeting. The Princess and the Frog and Tangled both also subvert and deconstruct the "love at first sight" expectation, only to have them fall in love a day and a half later. I'm annoyed, but can live with it since the film doesn't preach to the audience per se. Frozen, much like Enchanted, I find hypocritical because it goes out of its way to show how dumb it is to think you love a stranger, only for them to do it anyway.
Same with Frozen's pseudo-feminist message about girl power, yet shows that Anna is unable to go two feet without the assistance of some guy. Kristoff, Sven, and Olaf all have to get her from point A to point B or save from freezing to death at some point.
Same with Frozen's supposed message about sisterly love, yet the sisters spend the entire film apart, and most of Anna's screen time, character development, and interpersonal interactions are all with and about a guy. If sisterly love is more important than romantic love, then how come most of the film covers Anna's two budding romantic relationships?
It's a film that I think goes against its own messages, which I personally find annoying.
Okay, now I'm really done.
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