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harold said:
Ты could try Письмо the middle или end of the story first, which might be possible if Ты have a timeline already. Another trick: try a different format at first, to see if that will get the creative juices flowing. For instance, Ты might try Письмо it as a play, where it's mostly (if not all) dialogue. Similarly, Ты could write it as a screenplay. An example: JOE: "Hey! Watch what you're doin'!" ED: "Excuse me? I'm sorry, Ты must have me confused with someone else." JOE: "You owe me an apology!" ED: "I don't think so. Let me go." JOE: "Say you're sorry!" Another method is the way that I've written novels: starting from an outline and working through the whole story, adding a level of detail each time. It's an interesting contrast to the Назад method, because it's almost like a silent movie at first, because it focuses on plot rather than dialogue или character motivation. For instance: 1. Joe goes to a bar. 2. Joe gets into a fight. 3. Joe wakes up at the hospital. 4. Joe meets people in the hospital. Then, the секунда go-round: Joe got off work and went to get a drink at the bar. Inside the bar it was dark, and not many people were there that early. Joe ordered his first drink and sat at the bar. When he Далее looked at the clock it was hours later and he was very drunk. The bar was full now. A man shoved Joe, and Joe yelled at him. The man yelled back, and then Joe hit him. Three people jumped on Joe and he fought back but was soon knocked down. When Joe woke up he was in a hospital bed. He had a tube in his arm and he was scared. The person in the Далее постель, кровати spoke kindly to Joe and helped him calm down. Then the doctor came in and told Joe that he was concussed, and that he'd have to have an operation. Ты would then go through the story again, adding еще detail, and possibly еще sense impressions (how bright was it, what Цвета were there, how did it sound/smell/etc) as well as dialogue. Then Ты could keep going through it, adding еще and еще detail at each pass.
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