Ever since the release of the BBC Последнее adaptation of Agatha Christie’s 1939 novel, "And Then There Were None" Телевидение viewers and critics have been praising the production for being a faithful adaptation. In fact these critics and Фаны have been in such rapture over the production that some of them have failed to noticed that the three-part miniseries was not completely faithful. As long as the production followed Christie’s original ending, they were satisfied.
Mind you, I thought this new production, "AND THEN THERE WERE NONE" was вверх notch. However, I have found myself growing somewhat annoyed over this attitude. Why do so many people insist that a movie/television production should be faithful to the novel it is adapting? I honestly believe that it should not matter. Not really. I believe that sometimes, it’s a good thing to make some changes from the original novel (or play). Sometimes, it’s good to remain faithful to the Источник novel. Sometimes, what is in a novel does not translate well to the Телевидение или movie screen.
A good example is the two adaptations of Christie’s 1941 novel, "Evil Under the Sun". The 1982 movie adaptation, which starred Peter Ustinov as Hercule Poirot, made some major changes in regard to characters and a minor subplot. The 2001 Телевидение adaptation, which starred David Suchet, was somewhat еще faithful . . . but not completely. In my personal view, I believe that the Ustinov version was a lot better . . . . and еще entertaining. Why? If I have to be brutally honest, I am not a big Фан of Christie’s 1941 novel. No matter how many times I tried to like it (and I tried), it simply bored me. And its revelation of the killer struck me as something of a rip off of a Назад Christie. At least the 1982 production added something еще to the tale that made it seemed fresh and original to me.
In regard to the adaptations of "And Then There Were None", there are only two adaptations that I really enjoyed - Rene Clair’s 1945 adaptation and this new version. The 1945 film is actually an adaptation of the 1943 stage play written by Christie. Because the play first opened in the middle of World War II, Christie had decided to change the ending in order to spare wartime theater goers the story’s nihilistic ending. Two years later, director Rene Clair and 20th Century лиса, фокс decided to adapt Christie’s stage play, instead of the novel. In fact, Clair made a slightly different twist to Christie's 1943 ending. Several other movie adaptations – including the ones from 1966 and the 1974 – did the same. As far as I know, only the Russian 1987 adaptation followed Christie’s original ending.
And how do I care about these numerous adaptations? I have seen both the 1966 and 1974 movies. I am not a Фан of either. Personally, I found them rather cheap and lurid. I have never seen the 1987 Russian film. As for the 1945 and 2015 versions . . . I am a big Фан of both. Ты read my words correctly . . . both of them</i>. I do not care that 2015 miniseries stuck to Christie’s original novel, despite some changes; and Clair’s 1945 movie did not. I simply happen to enjoy [i]BOTH versions. Why? Both versions were made with great skill and style. And I found both versions fascinating, despite the fact that they have different endings.
I do not believe it should matter that a movie или Телевидение ALWAYS adhere to the novel it is adapting. What should matter is whether the director, writer или both are wise enough to realize whether it is a good idea to be completely faithful или to make changes … for the sake of the production. If producer John Bradbourne and director Guy Hamilton can make a superior adaptation of "Evil Under the Sun" by utilizing major changes to Christie’s original story and if there can be two outstanding versions of "AND THEN THERE WERE NONE" . . . with different endings, I really do not see the need for any film или Телевидение production to blindly adhere to every aspect of a novel it is adapting.
The Book Cover.
