Jane Stevenson from Toronto Sun gave the концерт four out of five stars and сказал(-а) that "Lady Gaga came across as a confident, colourful, and campy performer. ... Gaga's success was evident with slick-looking videos, lights, elaborate costumes, dancers, and yes, a band, even if her stage was sometimes left dark as she left to make numerous changes."
T'Cha Dunlevy for The Gazette noted that the performance was lacking ("The elements are there but they haven't all been brought together"), adding that the Показать never reached its peak until the end, when Gaga performed the "real rendition" of "Poker Face" and "Bad Romance." "Better late than never," Dunlevy concluded.
Aedan Helmer from Jam! magazine сказал(-а) that "At first blush, it might seem the real driving force behind Gaga's meteoric rise to fame is her hand-picked cadre of costume and set designers – dubbed Haus of Gaga – who seemingly know no bounds when it comes to pushing the envelope of haute couture and the theatre of the absurd. [...] But what really sets Gaga apart from the middling masses of lip-synching Britney clones and Idol wannabes is her pure, unadulterated musical talent. [...] The Lady can sing."
Theatre critic Kelly Nestruck, while Письмо for The Guardian сказал(-а) "While The Monster Ball has nothing on the great operas или the golden age of musical theatre, Lady Gaga's "electro-pop opera" is at least twice as entertaining and infinitely fresher than any stage musical written over the last decade."
Lauren Carter from Boston Herald praised the Показать saying "[Gaga] only has two albums under her ремень, пояс, пояса (maybe closer to one-and-a-half) but who cares? Every song feels like a hit, and Gaga-as-star is already taking on Madonna-like proportions. [...] After [the show] at the Wang Theater, Фаны could justifiably walk away thinking Lady Gaga is crazy, brilliant или both."
Jeremy Adams from Rolling Stone reviewed the performance at Wang Center in Boston and сказал(-а) that "Throughout the evening, Gaga [..] aimed for a kind of pop theatricality that might potentially cement her burgeoning status as performance artist."
Sam Adams from The Philadelphia Inquirer felt that "Gaga seemed isolated on stage, and oddly tentative, as if not quite ready to assume stardom as her right rather than a privilege contingent on each passing instant... Her two-hour set was full of dead spots and long breaks for costume and scenery changes that sapped the show's momentum and disrupted its groove."[23] Chris Johnson from Daily Mail complimented the costumes worn in the tour.[18] Aidin Vaziri of San Francisco Chronicle сказал(-а) that "During her 90-minute performance - not so much a live концерт as a meticulously choreographed spectacle - Lady Gaga also evoked Kanye West with the futuristic set, Britney Spears in her heavy-lidded stage movements, Courtney Любовь with her interminable between-song monologues highlighted by four-letter squelches and - who else? - Мадонна for, oh, just about everything else."
Jim Harrington from San Jose Mercury News felt that the Показать would have been better technically if around thirty минуты were lessened from it. However, he compared Gaga's vocal abilities and performance with that of Мадонна and complimented her "undeniable звезда power and pure attitude. She doesn't concern herself with what Ты think of her R-rated maneuvers, или basically anything else, and she'll tell Ты that straight to your face." James Montogomery from MTV reviewed the концерт at San Diego and сказал(-а) that "[Gaga] powered through and turned the San Diego Sports Arena into a raucous, delightfully raw discotheque."
Joe Brown from Las Vegas Sun сказал(-а) that "Lady Gaga out-Cher-ed Cher, made Cirque du Soleil and Britney's 'Circus tour' look like county fair carnivals, and made New Year's Eve in Las Vegas anticlimactic.[19] Ann Powers from Los Angeles Times прокомментировал(-а) that the tour was "an invigoratingly ambitious show, executed with vigor by its звезда and her expressive dancers."
T'Cha Dunlevy for The Gazette noted that the performance was lacking ("The elements are there but they haven't all been brought together"), adding that the Показать never reached its peak until the end, when Gaga performed the "real rendition" of "Poker Face" and "Bad Romance." "Better late than never," Dunlevy concluded.
Aedan Helmer from Jam! magazine сказал(-а) that "At first blush, it might seem the real driving force behind Gaga's meteoric rise to fame is her hand-picked cadre of costume and set designers – dubbed Haus of Gaga – who seemingly know no bounds when it comes to pushing the envelope of haute couture and the theatre of the absurd. [...] But what really sets Gaga apart from the middling masses of lip-synching Britney clones and Idol wannabes is her pure, unadulterated musical talent. [...] The Lady can sing."
Theatre critic Kelly Nestruck, while Письмо for The Guardian сказал(-а) "While The Monster Ball has nothing on the great operas или the golden age of musical theatre, Lady Gaga's "electro-pop opera" is at least twice as entertaining and infinitely fresher than any stage musical written over the last decade."
Lauren Carter from Boston Herald praised the Показать saying "[Gaga] only has two albums under her ремень, пояс, пояса (maybe closer to one-and-a-half) but who cares? Every song feels like a hit, and Gaga-as-star is already taking on Madonna-like proportions. [...] After [the show] at the Wang Theater, Фаны could justifiably walk away thinking Lady Gaga is crazy, brilliant или both."
Jeremy Adams from Rolling Stone reviewed the performance at Wang Center in Boston and сказал(-а) that "Throughout the evening, Gaga [..] aimed for a kind of pop theatricality that might potentially cement her burgeoning status as performance artist."
Sam Adams from The Philadelphia Inquirer felt that "Gaga seemed isolated on stage, and oddly tentative, as if not quite ready to assume stardom as her right rather than a privilege contingent on each passing instant... Her two-hour set was full of dead spots and long breaks for costume and scenery changes that sapped the show's momentum and disrupted its groove."[23] Chris Johnson from Daily Mail complimented the costumes worn in the tour.[18] Aidin Vaziri of San Francisco Chronicle сказал(-а) that "During her 90-minute performance - not so much a live концерт as a meticulously choreographed spectacle - Lady Gaga also evoked Kanye West with the futuristic set, Britney Spears in her heavy-lidded stage movements, Courtney Любовь with her interminable between-song monologues highlighted by four-letter squelches and - who else? - Мадонна for, oh, just about everything else."
Jim Harrington from San Jose Mercury News felt that the Показать would have been better technically if around thirty минуты were lessened from it. However, he compared Gaga's vocal abilities and performance with that of Мадонна and complimented her "undeniable звезда power and pure attitude. She doesn't concern herself with what Ты think of her R-rated maneuvers, или basically anything else, and she'll tell Ты that straight to your face." James Montogomery from MTV reviewed the концерт at San Diego and сказал(-а) that "[Gaga] powered through and turned the San Diego Sports Arena into a raucous, delightfully raw discotheque."
Joe Brown from Las Vegas Sun сказал(-а) that "Lady Gaga out-Cher-ed Cher, made Cirque du Soleil and Britney's 'Circus tour' look like county fair carnivals, and made New Year's Eve in Las Vegas anticlimactic.[19] Ann Powers from Los Angeles Times прокомментировал(-а) that the tour was "an invigoratingly ambitious show, executed with vigor by its звезда and her expressive dancers."
I want your whisky mouth
All over my blonde south
Red wine and cheap perfume
And a filthy shout
Tonight bring all your Друзья
Because a group does it better
Why river with a pair
Let’s have a full house and leather
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Dirty пони I can’t wait to hose Ты down
You’ve got to earn your leather in this part of town
Dirty pearls and a patch for all the Rivington Rebels
Let’s raise hell in the streets drink пиво and get into trouble
I could be your girl girl girl girl girl girl
But would Ты Любовь me if I ruled the world world world
Oooooo
Heavy Metal Lover
Whip me slap me, drunk funk
New York clubbers, bump drunk
Budlite, liquors, bar slam
Wash the night, with St. J-ameson
Like a baptism
Heavy metal Влюбленные play
Because we were born this way
All over my blonde south
Red wine and cheap perfume
And a filthy shout
Tonight bring all your Друзья
Because a group does it better
Why river with a pair
Let’s have a full house and leather
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Dirty пони I can’t wait to hose Ты down
You’ve got to earn your leather in this part of town
Dirty pearls and a patch for all the Rivington Rebels
Let’s raise hell in the streets drink пиво and get into trouble
I could be your girl girl girl girl girl girl
But would Ты Любовь me if I ruled the world world world
Oooooo
Heavy Metal Lover
Whip me slap me, drunk funk
New York clubbers, bump drunk
Budlite, liquors, bar slam
Wash the night, with St. J-ameson
Like a baptism
Heavy metal Влюбленные play
Because we were born this way